Tag Archives: writing

Bugis, Singapore: Why I keep coming back

Singapore
Yet another shot of Marina Bay Sands and the ArtScience museum taken by yours truly that will come up most commonly  if you do a simple search online for the city

Traveling is often conceptualized as a passive activity, as though seeing new places enriches you somehow when you gather new experiences. Yet, it often turns out to be more about active self-discovery than about seeing a new place, about experience that could not have happened exactly the same way without you, the active agent at the center. In the following post about Bugis, I admit that I’ve been unashamedly at the center of my experience far more than Bugis.

When you place yourself against something sublime or complex in front of you, such as a man-made building or a natural structure, a teeming marketplace or a superbly constructed mall-airport, you think you’re simply soaking it all in in wonder because that grand structure is an objective thing and you are the observer.

Yet, many grand experiences, when you encounter them for the first time, and some grand experiences when you encounter them every time, have the potential of changing you because you don’t just see the object in front of you. You see yourself from yet another perspective, one you hadn’t quite seen yourself from before.

Encountering new experience becomes about altering, rearranging and re-thinking the old experiences which had structured the topography of your mind thus far, which you had become habituated with, which you had inhabited for a while. Your world  changes ever so slightly when you see a different kind of architecture, a different way of life, a different set of people, a different history, a different center for the world of a different set of people, about seeing how a different set of people had reacted to the same forces of imperialism and change and adapted in different ways than you.

And then there are places that are very similar to what you have been used to, some exactly the same, some an enhancement of what you already know, some a bit of a sad imitation of a place you have seen before. In our globalized world, such spaces are becoming more and more common and these are the places far easier to find online and on guidebooks than places that are different. Sometimes these spaces, so wonderfully characterized by sameness, are mind bogglingly spectacular reminding  you of spaces that are better or worse than what you’ve seen before making you feel like that first experience was more genuine and the current one merely an imitation.

The mall at Bugis, Singapore
The mall at Bugis, Singapore

Bugis

Bugis Junction, Singapore. It was a very cloudy afternoon.
Bugis Junction, Singapore. It was a very cloudy afternoon.

Singapore, for an outsider like me, has been very easy to navigate with its awesome public transportation, clear maps and friendly people everywhere who speak a language I can understand in some shape or form and food, glorious food everywhere. I have not seen such dazzling architecture and such clean bus and train stations and such orderly crowds who respect rules anywhere else despite the huge numbers of people and despite the fact that anything man made that exists does so against a fierce struggle with the elements-: a harsh burning sun, very high humidity, moss, algae, insects, putrefaction that happens almost overnight to anything left alone for a bit four degrees North of the equator.

Despite such obvious advantages that lend clarity about the city to an outsider, from the moment I landed on the fabulous Changi airport, I have struggled to find those places on online sites and guidebooks that tell a long-time story of Singapore.

The Singapore that may not be so fabulously fabulous and yet could be a perspective-altering experience for someone who comes to its shores.

I know it exists. Layers and layers of history peek out of the city in the way people dress, in the hybrid languages they speak, in the food they eat, in people’s names and the various systems they have for identifying themselves and in the way they behave differently in different public spaces. It is a place of Chinese temples and Indian temples and Indonesian mosques and ordered housing complexes and malls and spectacular streets and waterfronts. It is a place where people look at their smartscreens as they walk on the pavement and stand in the trains and a place where people crowd around huge statues of ancient figures to find out their fortunes at temples and carnivals. It is a place where everything is automated but there is a human helping out right behind the machine when you need them. It is a place where people keep within the yellow line as they walk if a sign says they should.

Within this non-chaotic chaos of a populous city-state I found my spot on the island. Or rather, the spot found me. A place I wouldn’t have found as a must visit if I had taken online advice too seriously.

I can’t quite remember when or how it was that I landed up in Bugis. But once I found it, I have realized now that I keep going back every few weeks. I wonder what it is that makes me keep coming back. It isn’t as grand as the Esplanade area with its spectacular architecture nor as distinctive to the tourist as Little India or Chinatown.  It isn’t as full of grand old buildings like the City Hall area or as fascinating as the Botanical gardens with its old trees and herbs and orchids and the rainforest.

Singapore
Bugis Junction, Singapore

I have only scratched the surface of Bugis till now. The placards tell me about the Bugis people who came here from the Sulawesi province of Indonesia as maritime traders after the British established a trading settlement in Singapore in the early nineteenth century. They dominated trade in the Malay archipelago until Western ships achieved dominance later in the century. The English word “bogeyman” seems to have originated in reference to the Bugis, ruthless seafarers and pirates (smiley face here) who seemed to have plagued the early English and Dutch trading ships.

For all practical purposes, all this information is available to me via a few placards placed in between carts selling scarves and handbags and make-up in a superb covered part of Bugis junction in between big stores exhibiting major fashion labels and sales announcements. There is, of course, no sign of the transwomen who roamed the area attracting Western tourists a few decades ago in nearby Bugis street which is completely reconstructed now.

One of many placards about the early Bugis people in Singapore
One of many placards about the early Bugis people in Singapore

Yet, the cobbled paths, the street shops, the huge Hawker Center, the stores that sell cheap clothes and tropical fruits and juices and confectionary keep making me come back many times over. Along with the lychee and the rambutan and the dragonfruit and the pineapple there is always the inimitable durian in the fruit stands. This place is very different from the nearby mall, which is fascinating in its own way but could have belonged to other places too.

But Bugis carries glimpses of uniqueness. Perhaps that is why I keep coming back here.

Bugis Street, Singapore
Bugis Street, Singapore

Bugis Street, Singapore
Bugis Street, Singapore
Shops, Bugis Street
Shops, Bugis Street
A temple in the Bugis Street area
A temple in the Bugis Street area
The Hawker Center, Bugis
The Hawker Center, Bugis
Bugis, Singapore
A man kept driving this motorcycle around the streets accompanied by loud music and inevitably a crowd gathered around to watch. That is the spirit of Bugis.

Writer’s Block

Singapore
July 8, 2015

I have my word processor open but I’m thinking of the ants this morning. They are not the ticklish, harmless, black ants climbing all over the tabletop I wrote about earlier (from coke can to mouthwash) but a line of red ants on the concrete walkway that were crossing my path this morning. It was clean concrete which made the goal-oriented line of industrious moving red dots more well defined next to my memory of the haphazard black ants from last night.

Clean concrete makes me think of the dry, fresh concrete on the bathroom floor next to the window. It’s lighted up by the bright, dazzling sunlight of these hot, summer afternoons on this tropical island. The concrete is warm, fresh and clean and I know that if I were to put a drop of water on it, it would spread outward slowly absorbed by the hot, dry surface just like in those long summer afternoons in the Calcutta suburbs where the sun was just as strong. My mind flies back three decades to an oldish house in small-town India, to a courtyard with cracked, white, grainy concrete with green weeds growing out of the cracks and a vision of me hopping across the length of it to the kitchen at the far end because the sun had made the concrete too hot.

The blinding dazzle in that memory sticks in my mind. It makes me move to something more mellow and rather silverish, more than half-way across the world, to a bright winter morning in San Francisco as a whole dazzling white arch of concrete lay in front of me, spread out along the  sparkling blue bay along the Embarcadero against billowing white clouds on a spotless blue sky. Memories of desperate and happy times, of kindness and of friends make me wander to the point of almost no return and I am about to give up on this typing.

But I am prodded back to the present by a common ping. One of those emails with “gentle reminders,” so common here, that says there is going to be a talk on carbonate, concrete and trash in the afternoon. What a coincidence!

There are a lot of talks here in this technological school I’m now a part of and this one is going to be on sustainability. Last evening, I was sitting in a packed auditorium at such a talk by a world famous architect (talking about his critique of the digital revolution and the way smart cities are being conceptualized and the panopticon) but when I think back on that talk now I see something else. He is tall and thin, clad all in black, showing us various aerial images of cities on a huge screen and what I remember now is that those cities look like cubes of concrete placed side by side in a grid no matter what I thought they were like then.

Cubes make me think of ice, for it’s very hot here, and how it feels to chew an ice cube from a cool drink. (Only they’re not cubes any more in drinks but cold, translucent, hollow cylinders with holes in the middle that you can put your tongue through.) The ceiling fan keeps swishing, slicing through air and there’s yellow fish in the pond right outside my window where a four hundred year old Chinese structure stands.  Except that there’s no ceiling fan here but it’s the AC making the noise and there’s no pond outside but an artificial rooftop garden where a random rooster keeps crowing because this is the office and that was home last night and one noise has blended into another conflating one place with another as I type making time collapse into itself like two videos coalescing into one another on the same screen with echoes of everything else that this screen has ever shown in the background.

I still try to write as my mind wanders from thing to thing, from place to place, from time to time as I cannot concentrate on anything except this shifting topography of the mind, of concrete images, of material things and physical sensations in random order connected by impulsive and tenuous links that come from I know not where.

Just like it isn’t easy to give up on an old bad habit, it isn’t easy to slip back into an old one. For the past few days, I’ve been trying to get back to blogging, which, as any blogger worth their salt knows, is more about the process than about the final product, about the ability to keep at it, the ability to give up your fears of exposing thoughts as they come, the ability to record life as it happens, the ability to go around framing experience and the final ability to distance yourself from what you see yourself as doing.

But in the final analysis, writing is, perhaps, about taming the mind which I’m trying to do even as I write these lines so please bear with me as you hear me talking to myself.

I try.

A coffee mug at the gift shop at the Singapore Zoo but that could be me.
A coffee mug at the gift shop at the Singapore Zoo but that could be me.

What Blog Is

Sometimes a blog is just what a blog is. The recording of a moment, a sudden attempt to capture what is by nature ephemeral, to grasp at the truth as though it can be held back as it slips through the sieve. Sometimes, a blog is just talking to yourself, catching something that made you smile, pouring out something that would make you burst otherwise, as is, half formed, half lived, half tested. For the heart is what it is. Continue reading What Blog Is

In Singapore: The Year of the Goat, 2015

The Year of the Goat, 2015, Singapore
Welcome, The Year of the Goat, 2015, Singapore

It is my nature that on festival days, I feel very restless at home. It doesn’t matter whether it’s traditionally a festival I’ve followed for years or a festival I’ve just been immersed in due to the accident of location or company but there is that smell in the air and that sparkle in the light around that just does not let me stay at home while the city decks itself in lights, crowds and festivities.

And so it has been with Chinese New Year this year.

So on Thursday, armed with a guidebook that says SINGAPORE in large letters on the cover, I get to the train station in the afternoon determined to reach Chinatown. I carefully tuck the guidebook away in my bag because I hate to have people think I’m a tourist.

Not a UFO. It's my train station.
Not a UFO. It’s my train station.

Before the long weekend for the Chinese New Year starts, several people already warn me that I should stock up on groceries because “Chinese New Year is like Thanksgiving in the US. All restaurants and stores will be closed. Make sure you buy some groceries.”

The streets had indeed seemed empty when I had paid a visit to the local mall to eat on Wednesday evening, a place which is always throbbing with life but was shrouded in an unnatural, quiet stillness with most shops and food kiosks closed. No exhibitions inside the mall, no crowds on the giant escalators, no salespeople standing on stools hawking smartphones.

The Goat Lanterns at Eu Tong Sen St. and New Bridge Rd.
The Goat Lanterns at Eu Tong Sen St. and New Bridge Rd.

Continue reading In Singapore: The Year of the Goat, 2015

The Circle of Life

Kahin To Yeh Dil Kabhi Mil Nahin Paate
Kahin Pe Nikal Aaye Janmon Ke Naate
Ghani Thi Uljhan Bairi Apna Man
Apna Hi Hoke Sahe Dard Paraye

Kabhi Yun Hi Jab Hui Bojhal Saansen
Bhar Aai Baithe Baithe Jab Yoon Hi Aankhen
Kabhi Machal Ke Pyaar Se Chal Ke
Chhuye Koi Mujhe Par Nazar Na Aaye

Kahin Door Jab Din Dhal Jaye
Sanjh Ki Dulhan Badan Churaye, Chupke Se Aaye
Mere Khayalon Ke Aangan Mein
Koi Sapnon Ke Deep Jalaye

The bridge glows like a jewel in the dark in front of me. Many a time I had crossed it earlier without knowing what a spectacular view it provided to the casual onlooker from a distance against the dark sky and the wide expanse of the bay spread out like a black satin sheet at this time of the night.

When you’re on a bridge you rarely know what crossings overs look like.

Yet, jewel the bridge is not. The hard, glittering, diamond-like effect against the night sky is not static. The light is softened by a dynamism that makes it come alive. Continue reading The Circle of Life

Festival Art and Ephemerality: End of Durga Puja 2014

It was Durga Puja. The air was full of the non-stop beat of pujo’r dhaak (drum), music, microphone announcements, children’s elocution recitations, honks of a thousand cars, autorickshaws, rickshaws, voices of screaming kids and parents, lost and found announcements, children bursting crackers in their toy guns (“caps”) that went off with loud booms, pujo mantras (incantations) and loud ghanta’s (pujo bells) for the last five days.

Now there is all silence.

Pujo Pandal. Gigantic boat on the Ganga where the waters are blue hands lifted upward asking to be saved (Ganga Aaamar Maa--Burosibtala, Behala)
Pujo Pandal. Gigantic boat on the Ganga where the waters are blue hands lifted upward asking to be saved (Ganga Aaamar Maa–Burosibtala, Behala, Calcutta)
Buroshibtala Pujo, Behala
The water is a million hands (top) and inside the pandal it’s cool (AC’s) with scattered fish, mermen, rowers and underwater creatures (bottom two pictures).

The roads were full of streams of crowds from all walks of life, mostly youngsters and huge groups from distant parts of the city and outside suburbs walking along the roads inside bamboo barricades, dressed in their best new finery (some of which had zari borders that glowed in the dark). They had to stop at police ropes at intervals, taking tiny detours around sleeping dogs who seemed pretty nonchalant, considering the crowds who were desperate to see the pujo pandals, either patiently waiting or getting into skirmishes with police and volunteers, lifting their hands as far above the million heads as possible to take pictures, posting on social media in real time, desperate in their desire to savour the moment.

And this morning, it’s all empty.  At least as empty as Calcutta can get. Continue reading Festival Art and Ephemerality: End of Durga Puja 2014

My Writing Process

This post ought to have been left blank because I realized that I have no process. Or perhaps there is no process.

Except that process where you have shown perseverance in spending time glued to the chair at your desk, tearing your hair (if you have any left), sighing in despair, pacing up and down the floor and sitting through the bouts of time when there has been no writing.

I realized also that you must have reached a goal, albeit set by yourself, weekly or monthly, of a number of pages/words that you decided to write, even if the writing was all gibberish, to have started thinking about a process.

The gibberish is an important ingredient to start with.  It is the one that might or might not lead to magic.

Unfortunately, I have realized through the years that there is no magic in the world that you haven’t produced yourself. But try enough times and you’ll see that for those who know how to look for it, lo and behold! “Zim zam zambowe/ Magic comes from nowhere!” (so sings the wise, white-haired, white-bearded sorcerer from the Indian children’s show Chota Bheem).

The sorcerer with Chota Bheem and his gang. The image is linked to the the image url. Thanks to The Boy for locating this image.

The following steps are solely how it happens with me. I’ll be very glad to hear how it happens to you. Continue reading My Writing Process

Does writing advice really help?

from pixabay
from pixabay

People vary vastly in their approach to work or play. So when I see a lot of writing advice doing the rounds (including my own), I’m rather skeptical.  Unless the advice is really specific, regarding tone, structure, syntax or something else, it serves little purpose for me beyond motivation, which, admittedly, is a huge part of success in any endeavour.

Some of the advice comes from writers themselves, when a dry spell probably compels them to write about something and what better a topic than the one they know most about—writing?

A lot of the impetus for writing about writing comes from a high demand amongst readers, who would be writers, and are looking for some magic recipe that will tell them how write. They expect such instructions to be clear and bulleted, exactly like the ones on how to put a bookshelf together or how to identify nasty weeds in your garden.

Again, such lists serve a purpose, to an extent, if you’re looking to churn out writing that will fulfill a purpose, and in theory, will help the next person write a similar thing should s/he be able to get to the instructions just like you did. Catch the reader’s attention with the intro, use a quote or an anecdote and end with a question or comment. Or, make sure the characters develop and edit out the parts that don’t fit.

But really, if someone has not recognized that they need to catch the reader’s attention or to make the characters come alive like real people from his or her reading of good authors, and is spending valuable reading time on reading a list of five points with clear headings and sub-headings on how to write, is this a person who should be thinking about writing for an audience at this stage?

That is not to say writing about writing serves no purpose. In a discussion or workshop based setting, whether face-to-face or online, talking about craft in a specific manner really helps. Where is this piece not working? Am I failing to connect here? Am I too verbose? But without a specific piece to start from, is it possible to discuss writing? Continue reading Does writing advice really help?

Tales by The Boy

Thanks to the exploits of The Boy on the word processor, the nascent blog post I wrote has been deleted.

Mischief by H. Brückner. Print showing a boy and a girl pouring ink and water on papers they removed from a desk and placed in a wastebasket.

Various experiments were performed by The Boy on a solitary sentence I had churned out after almost half an hour’s worth of staring at the screen when said boy decided to alter words here and there to check the various colours in which a spelling and grammar check was going to underline words.

Several minutes were spent finding words that were not words so that the underlining could happen effectively until we discovered that it isn’t easy to misspell words when you badly want to. Then fonts were changed and clip art inserted and magnified to fill the entire screen until the sentence was edited beyond recognition.

Hence, on the palimpsest of my poor, solitary sentence, having run out of ideas, I had no option but to regale you with stories by The Boy himself. Continue reading Tales by The Boy

Freshly Pressed! Times 5

I was pleasantly surprised when I opened my email! I’m going to be Freshly Pressed for Writing Memoir on Social Media.

Freshly Pressed
Freshly Pressed

I must acknowledge my debt to two people for the post: Cheri Lucas Rowlands (who also happens to be the editor who chose the piece) whose recent post brought to my attention The New Yorker article by Dani Shapiro I talk about and The Boy who blew the bubbles that turned into Writing Memoir.

Please like me on my Facebook page because, well, there’s stuff that I can do on Facebook that I can’t do here on the blog. Continue reading Freshly Pressed! Times 5

Writing Memoir on Social Media

I’m doing something in the room and The Boy walks in stealthily from behind me and suddenly there is a shower of bubbles in the air and lots of childish laughter. I turn my face and I see a host of bubbles floating up and up and up towards the light, their shiny surfaces catching the light and turning them into iridescent rainbow hues. It’s hard to tell how each bubble will float away, where it will stick and when it will burst.  But together they transform the room.

Actually I’m not just sitting here doing something. I’m writing yet another blog post. It isn’t unusual at all, while I’m writing, for a childish face to peek in and insist on typing a word or two or close a window or want to check out a blinking light below the touchpad. But bubbles? They are new.

The bubbles floating around me make me think of a lot of writing I’ve been doing lately. Light, beautiful, polished, iridescent and ephemeral.

What really has been the end goal of these pieces? To live for a bit, to catch the light, to stick in someone’s mind for a moment and then to disappear? To float directionless, to dazzle and to die? Continue reading Writing Memoir on Social Media

From eleven-year-old Bottledworder

You all have been reading Bottledworder for the past two years. Thought you might enjoy something I chanced upon covered in brown paper tied with a jute string this week.

They were old exercise books. Peeking out of one of them was an old, yellowed exam sheet with the words Better English, Class V-A on top.

Not ashamed to say the word “good” was written in red with my English teacher’s signature on the front. However, I seemed to have scored only 26.5 out of a possible 30 in the whole test.

Here’s where I lost a point-and-a-half of those missing 3.5! Not ashamed to admit, again, that I’m wondering, even after all these decades, what I was supposed to write for a full 5.

Ms. R, if you ever chance upon my blog, could you please explain? 🙂 Continue reading From eleven-year-old Bottledworder

Them in the City

Something or the other is always happening in Calcutta.

Many of these events would be quite outside the scope of my experiences in the US and yet here they seem to fit in so seamlessly with the daily course of things. The events I’m talking about could be as simple as an altercation with an autorickshaw-wallah regarding the lack of change while paying the fare or hearing of a hanuman (big monkey) sighted on my street in the early morning sitting and eating kachori at a popular roadside stall with other customers (even while in many ways city life here is in no way different from anywhere else in the world as people use smartphones and laptops and commute to work on buses and cars and the underground metro).

Here’s a really unexpected event that occurred this week which reinforces my belief that if you’re looking for stories, there’s no better place in the world to come to than our very own Calcutta!

On Monday evening, my parents are about to leave for the market. I am ready to see them off when we open the door to an unexpected sight.

Our very long term domestic help P’s saree is strewn all over the landing between the main doors of the two apartments that face each other. A bunch of black hair, clearly cut with a pair of scissors, is strewn on the floor next to it.

The hair looks dark and glossy and freshly cut. Continue reading Them in the City

The Calcutta Cricket

One of the new experiences you have to adjust to when you visit your home in Calcutta from your home in New Jersey, travel from the temperate zone to the tropics, is that of living with the constant presence of insects in the summer. Even in city apartments, these companions make their presence known in various obscure or aggressive ways.

The glow worms are beautiful when they float in during a power cut.  The ants and the spiders are a silent lot. If you leave a box of sandesh on the table, in no time will you see a group of industrious ants pushing globules of sweet, white balls away. You might have to keep an eye out for the spider doing the silent dance around the toilet seat or the lizard suddenly bursting into a loud tick-tick-tick on the wall. The millipede could climb on your arm while you’re asleep or a winged cockroach might decide to spend its last few hours with you. Then of course the mosquitoes will sing to you and keep you company through the night until dawn. Those who are wise know that a single one inside the mosquito net could treat you to its serenade all night long.

But here’s my experience this summer with a harmless insect I’d never thought I’d have to battle with so vehemently in a city apartment. Continue reading The Calcutta Cricket

The Old and the Young

For expatriates, visiting home after long periods of time reveals slow changes imperceptible to those who live close by. The changes most noticeable are those in the old and the young.

The Old Man sits on the same seat on the couch everyday lost in his own thoughts. There’s a din around him consisting of the cook’s angry exclamations on the dearth of red-pepper powder (the lack of which jars against her professional perfectionism), the washer-woman’s insistent tramplings carrying heavy wet clothes to the balcony to hang, the all-purpose domestic’s comings and goings looking for mosquito nets to fold or to look out the verandah to see who has been pressing the “calling” bell for the thousandth time.

Despite all the din, The Old Man’s world is quite silent. He sits with the unfurled newspaper most days or just with his thoughts. He has grown a little frailer, lost a little weight, grown a white beard to complement his white hair. Yet, when there’s a soft discussion in the background between the domestic and The Old Lady that there’s no fish in the house for The Boy, he stirs from his seat as though to go to the market in the burning heat. When I pull up my huge American suitcase up the stairs, quite out of scale in this Calcutta apartment, he gets a grip on it pulling it up (looking as though he shouldn’t be), while all us ladies look on with concern trying to persuade him with words to let go but not daring to touch the handle to take it away from him. Continue reading The Old and the Young

The self in writing

  • When man looks into a mirror he sees himself. When man looks into a book, what does he see?
  • When man writes a book, who is he speaking to–to others or to himself?
  • Why do most people write anyway, when it isn’t a school curriculum,  a job requirement or something that provides a living?
  • Is writing  entirely an act of speaking to others? Is there any part of writing that involves listening as well?

I don’t suffer from hubris large enough to claim to have an answer to all of these questions as big and complex as they are. Speculation will only prove my amateurish ignorance within the writing community and so I’d better maintain a discreet silence here.

Writing and I

However, one thing I do know is that a lot of inexperienced writers, myself included,  view their own writing as self-expression and self-exposure of one kind or the other.

The simplest of these authors view writing as a way to gain recognition for themselves, be it to millions of readers (as a sort of alternate career dream), or to be valued by friends and family (to gain social stature) or to find value in themselves (as a means to find meaning in their lives). All worthy goals with a single underlying thread.

The self. The me. The I. Continue reading The self in writing

Hope

I step into the tub for a shower.

Ahh.  A greyish black speck against the perfectly smooth, white surface of the tub.

I was bound to notice. Everything else was bleached clean, sparkling, sleek, shiny and fragrant. The slender faucets glinted in the recessed lighting, complexly designed yet pretty in the light that came in through the spotless, transparent shower curtains. Everything in this space was designed for perfect control from the temperature of the water to the force of the jet from the showerhead. A smell of heavy, synthetic fruit from green plastic bottles of shampoo and conditioner overwhelmed the senses with promise divorcing existence from the brutal wintry day outside in its sweet entrapment.

ice-curtain-16561_640

A speck it was indeed, quite out of place in this dazzling white cube of perfection. For the person who occupied the tub, the roof was perfectly angular in the corners, the tiles sparkled white, the tub was cleverly contoured and the plastic shower curtain sparkled.

Just like the city outside with its perfectly clean river and its hard, glittering skyline full of metallic jagged angles and spikes on a sparkling clear day brutally cold like this one.

There was no wind here in the tub. Yet the speck moved. Continue reading Hope

Of cool writer dudes

So you go to a party and are introduced to a stranger  for the first time as a writer. Said stranger moves his chair up to you and decides to be nice. “So how’s the writing coming along?” he asks. Or even better, “What’s your novel about?”

It seems to me that only writers are graced with such pleasant conversation starters.  Imagine someone wanting to make small talk at a party with a person from a different profession. “So how’s the coding coming along? “And how’s the plumbing going?” (unless you are personally invested in the results of said work) or “So how are the surgeries keeping you occupied?”or “What’s your criminal case about this week”?
Continue reading Of cool writer dudes